
PROVIDENCE – on view at Beverly’s NYC through June 13, 2026
Featuring works by Anders Lindseth / Toussaint Rosefort / Michelle Rosenberg / Gregory Gangemi / Alexander Perrelli
Providence is the guiding force of gods and nature that keeps the pulse of the world in balance. This universal beat is “the cosmic order” – a cornerstone of the ancient philosophy of Stoicism, which prizes self-control, resilience, and virtue. As beauty-seeking people, we scan the horizon for patterns of natural alignment, looking for what is right. These transcendental moments bring us to an understanding that our individual realities are part of a greater rhythmic whole.
Artists in the Renaissance sought to capture heaven through formal balance, synchronicity, and harmony. They linked earthly forms to interstellar space – and poured some midnight oil into the flames of myth and mystery that surrounded the overlap of science and religion. The mythology continues. The mystery is in this room. Look out into the distance. Between our minds and the justice we seek is where our imaginations live. In the face of chaos, we are on a hunt for the divine.
Check out these works at the gallery, events, and nightlife venue Beverly’s, 297 Grand St, New York, NY, through Saturday, June 13 (open 5:00 pm – 2:00 am, closed Sundays and Mondays).
Anders Lindseth’s sunset pieces are rendered entirely in crayon. They glow through the space like stained glass windows to another world, illuminating this gothic cathedral.

Toussaint Rosefort’s stretched leather wall sculpture is a body splayed. It is dialed in with his thin vertical paintings that hover like large thermometers, measuring heat and value.

Michelle Rosenberg’s broom sculptures call to mind traditional Shaker crafts, with colorfully trippy manipulations. The brooms direct us to a Shaker saying, “cleanliness is godliness”.

Gregory Gangemi’s videos show fictional wild beings that are formed from both animal and trash material, and are running around Acadia National Park. These primordial beings poke holes in idealized assumptions that the past was more predictable or more pure.

Alexander Perrelli’s stacked drywall wall sculptures encase transluscent-covered portals that hold classical architectural forms used to decorate both religious, governmental, and militarybuildings – highlighting an overlap in where and what we worship.

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Curatorial statement, artist information, and all images courtesy of Alexander Perrelli and BEVERLY’S
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