Spencer Vazquez discusses GLUE TRAPS, his exhibition investigating the emotional, nostalgic, & archival dimensions of photography

Vazquez Headshot 2025

LISTEN VIA THE PLAYER BELOW (the episode is also available on Apple Podcasts and Spotify).

Artist Spencer Vazquez discusses Glue Traps, his exhibition investigating the emotional, nostalgic, and archival dimensions of photography.

In Glue Traps, Vazquez attempts to reckon with his own archive. Prompted by the discovery of a long-lost hard drive and the death of his father, a housepainter, Vazquez began asking how he might engage again with the sprawling photo diary he had assembled over the last decade. Faced with thousands of files—ranging from recent portraits of his father post-chemo to old family polaroids to rolls he shot as a teenager—Vazquez started contemplating the material future of these images. He sought a printing method that was at once ephemeral and tangible: a process that could get around the aesthetic and economic limitations of traditional fine art printing, and one that nodded to classic photographic conventions while also embracing the medium’s inherent contradictions.

Glue Traps is on display at BAXTER ST at the Camera Club of New York, 154 Ludlow Street, NYC, through June 3, 2026.

View a selection of works discussed in the episode:

Vazquez 01
But That Would Be a Marical (Jokes) #2, 2026 – Painter’s tape transfer (ScotchBlue #2090) from mono-laser print, 33 in x 41 in

 

Vazquez 05 1
1/21/2020, 2026 – Archival Pigment Print

 

Vazquez 02
Joey & Wiche, 2026 – Mono-laser print on masking tape

 

Vazquez 04
Sky (Jesus Toast), 2025 – Masking tape transfer from mono-laser print 24 in x 16 in

 

Vazquez 03
Eye Exam (Sensational!) #1, 2026 – Masking tape transfer from mono-laser print, 17 in x 21 in

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Tyler Nesler
About Tyler Nesler 219 Articles
Founder & Editorial Director - - Tyler Nesler is a New York City-based freelance writer and the Founder and Managing Editor of INTERLOCUTOR Magazine.

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